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Grateful Dead Live at The Ark on 1969-04-22

Set 1:
d1t01 - Sittin' On Top Of The World
d1t02 - Morning Dew
d1t03 - Beat It On Down The Line ->
d1t04 - Good Morning Little Schoolgirl
d1t05 - Doin' That Rag
d1t06 - Cryptical Envelopment ->
d1t07 - Drums ->
d1t08 - The Other One ->
d1t09 - Cryptical Envelopment ->
d1t10 - Death Don't Have No Mercy

Set 2:
d1t11 - Monitor Levels
d1t12 - Dupree's Diamond Blues ->
d1t13 - Mountains Of The Moon ->
d2t01 - Jam ->
d2t02 - Dark Star ->
d2t03 - St. Stephen ->
d2t04 - The Eleven ->
d2t05 - Turn On Your Lovelight

Collection GratefulDead
Band/Artist Grateful Dead
Venue The Ark
Location Boston, MA

Source SBD -> Master Cassette -> Reel -> Dat -> CD D
Lineage CD -> Samplitude Professional v9.12 -> FLAC
Transferred by Charlie Miller


-- Disc change is seamless
-- First few notes of Sittin' On Top Of The World missing
-- Tape flips during The Other One and Dark Star
-- Lovelight contains a Caution Jam


Reviewer: Chris U. - - August 26, 2014
Subject: It's All Good
What a second set.

The Dark Star is one of those great ones where the amps are cranked up to the max and the seventh member in the band, Johnny Feedback, is alive and feeling very fine indeed. From about 15 minutes onwards the room is pretty much continually flooded with gorgeous, warm analog guitar feedback. It's not like Jerry, Phil and Bobby are wailing away on their instruments (although that happens often enough), it's just that the sound system is jacked right to the point of boiling over.

The drum rolls at around 24:00 - 25:00, when Jerry returns with the theme, will fry your brain. The Steven has a great (but short) jam, beautiful chords followed by some clear and potently sung vocals. And into the Eleven!

Bobby is noticeably low in the mix for much of The Eleven but, as always during this period, hanging perfectly in the pocket when Phil and Jerry are going head to head, and picking up the pieces when they hit the wall.

The Lovelight is right up there with everything else. Some evil sounding feedback, a little Pig rap about 2 minutes in, and then a beautiful played 3:00 first instrumental break (I always thought this part of the song was similar to The Seven Jam from the Cafe au Go Go later in September), with Jerry bending some mean country licks towards the latter part. Then it's 14 solid minutes of prime Pig and Company. I don't understand how they did it.
Reviewer: gr8fuldad73 - - August 25, 2014
Subject: the ark
This show at the ark saved me from very high waters.
Reviewer: njpg - - April 23, 2014
Subject: -
My rating is for the second set. The first is good, but too sloppy to be really noteworthy...also, can't tell how good Other One is because of the huge cut. The Dark Star, Eleven and Lovelight make the second set a keeper for sure.
Reviewer: chris phillips - - August 21, 2013
Subject: 1/69-4/69
Stephen really is impressive and The Eleven picks up considerably with great vocals, Phil included.
This Dark Star will mesmerize, great intro. from Mountain's...
The Eleven's from 2/27, 1/26 and 1/25 smoke also.
Stephen>The Eleven from 4/13 is like this one, smashing.

This is top ten for 1969 which is like top 40, best Boston show that was.
Reviewer: magicpretzel - - April 28, 2013
Subject: Eleven
Reviewer: Sedula - - March 4, 2011
Subject: Great show!
One of my favorite shows. Not sure why the previous review talks about the Mountains of the Moon-->Jam into Dark Star as being "totally unique" since the short jam is the one they had been doing for the first four months of '69. It is the same jam as all the previous 4 months, but it still is good, just not unique in anyway.
Reviewer: Pangolin22 - - March 4, 2011
Subject: Great Show, Great Run
Get your hands out of your pockets.

This is probably my favourite of the 3 night run at the Ark. Of the 3 Dark Stars performed on this run, this is my favourite as well. Aside from an incredibly fun Dupree's, the high point of this show for me is the Mountains Of The Moon>Jam. It's completely unique and a stunning performance.
Reviewer: clementinescaboose - - November 19, 2010
Subject: average_joe is dead on!
i'm with yah buddy...these shows are all wonderful, and if it weren't for the somewhat degraded sound quality and tape flips this could have been my favorite of the run. As mentioned Dark Star>St. Stephen>The Eleven is just ridiculous. The Dark Star is especially fantastic, and has become what may be my favorite performance of the year. It blows the version on live/dead away, that’s for certain. The Lovelight with the Caution Jam is also very nice, if a bit sloppy.

I would also like to add that the Morning Dew, GMLSG, and Death Don't from set one all *RIP* - this is a very high energy show from start to finish - jerry and pig bouncing leads back and forth in Schoolgirl will send you positively reeling! and listen to the concluding jam in this Morning Dew and dare say that Garcia wasn't a fucking genius...
Reviewer: average_joe - - November 30, 2008
Subject: Lost in the Shuffle....
What we have here is a prime example of a fantastic show that gets over looked because of the enormity of the previous night and the following night.
Truth be told, this run of 3 shows at the Ark are all phenomenal. Each one can stand on it own merits. And each one deserves ample attention.
There are lots of high points to this show. But the real meat and potatoes is the Mountains Of The Moon > Dark Star > Saint Stephen > The Eleven portion of the gig. Excellent Dark Star. At the 17 minute mark I forgot when/where/who I was. Mind blowingly good stuff.
4/21, 4/22, and 4/23 are all essential/required listening. I have a hard time comprehending the fact that these shows have not been officially released.

Peace. Dig it.
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Uploaded by
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on 4/15/2008
Grateful Dead
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Source: NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Set 2 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m);
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by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2
Grateful Dead
by Grateful Dead
Source: nak 300 mics w/ cp4 shotguns > sony d-5 D
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by Grateful Dead
Source: Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010) & patch/pitch (May 2012) by Bob Morris.
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo